Michael Fuller是美国著名的手工效果器FULLTONE的创始人，他本人不仅是一位出色的电子专家，更是一位出色的吉他手、音乐家，他获得过《Guitar Player》杂志举办的“Ultimate Guitarist Competition”（终极吉他手比赛）“ Blues category.“（蓝调类别）的冠军。同时他也是一位收藏家，收藏了各种珍贵的古董乐器。可能正是这样多重身份的综合，才造就了FULLTONE在10多年的工夫，迅速成为了世界上最受欢迎和最知名的手工效果器品牌吧。
以下是他个人的部分收藏品，我们得到了授权转载，转帖在这里供各位琴友欣赏。
'65 Candy Apple Red Strat
1968 Fender Tele Bass, sounds like a Grand Piano with attitude
GIBSON HEAVEN
Mint 1956 Les Paul Special in TV Yellow
1965 Fender Stratocaster in Olympic White
Three shades of Blonde...
(Left) My Baby, a Frankenstein strat I call "Whitey" that is my live Maple neck axe,
(Middle) my '61 Cream Telecaster, and (Right) my '58 see-thru white Telecaster.
'59 Les Paul
The right one is a mint Rare "Ebony Block" 1961 Les Paul.
The other one is one of the Gibson Historic "Relic" 1961 Les Pauls.
I put real PAF pickups in it and it sounds fantastic!
1922 Gibson F-4 Mandolin. perfect for fulfilling that deep-seated
Jimmy Page fantasy I've been harboring
1941 Martin 00021:
60's Tele
335 Stratelepaul
1956 Blonde Gibson L-5C with OHSC
'60 335 and '60 Bassman 5F6-A
Left to Right: '57, '61, and '59 Stratocasters and a few '60's Marshalls
http://www.fulltone.com/images/funroom.jpg
The "Skyline" Tracking Room
I often hear people say "Mike's a "Marshall guy" but, although I love my Marshalls, the majority of my clean playing and recording is done through BlackFace Fender Deluxe Reverbs, Pro Reverbs, Super Reverb's. Lately I've even been tracking the leads for my second CD through smaller amps as well like the Deluxe Reverb with a little help from a Fulldrive2 or DistortionPro....funny the comments I get like: "Hey, now THAT's a Marshall stack, there's NO mistaking THAT!"
[1] [2] 下一页
设为首页
加入收藏
联系我们
减小字体
增大字体