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怎样快速记谱(中英对照)

作者：未知来源：www.jitapuwu.com 发布时间：2007-06-27 12:05:57 发布人：未知

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How can I quickly memorize a piece?

There are many approaches to take, and it''s probably a good idea to use
as many of them as possible.

First, try to learn what the large scale structure of the piece is. Is it
binary? Ternary? Rondo? That way you are basically beginning by cutting
it up into more manageable chunks.

Second, look for phrasing and other types of musical structures.

Try to learn it by ear (can you sing the piece all the way through without
the music or the guitar?). This is easier for people who are more "aurally"
orientated (like me).

If you are more "visual" try to memorize the page to as great an extent as
you can. The harp prof here gave a lecture about memory & learning
techniques, and said that visual memory really was more stimulated by
looking up (and to the left, I think) so if you can, try placing your music
stand VERY high (for practice & learning) such that you are looking UP at
the music.

I knew many guitarists in Spain who memorized the solfege syllables - they
could sing their pieces from start to finish (mi re mi fa mi re mi...)

Try to memorize the piece starting at the back (This is a tip from David
Russell) - we always go from front to back, often bogging down, so usually,
the farther into a piece we go, the less familiar & comfortable it is. If
you learn the LAST measure, then the next to last measure, etc. you are
setting up a situation where the farther you go, the MORE familiar and
comfortable things are.

This also brings up the issue of learning single measures (apart from
whatever musical context they might have). Jose Tomas used this technique
as a way for his students to learn 30 minutes of *new* repertoire in
1 month: at the beginning, make a learning plan, in which you assing
yourself X measures to learn each day, making sure that every day you
learn some of every piece (instead of working on piece A, then later
starting on piece B, etc.). Learning very short chunks helps you program
your physical movements much better.

This brings up the even more excruciating techniques suggested by Manuel
Barrueco. Make sure you know your right and left hand fingerings so
thoroughly that you can do either separately.

For example, play the piece with the right hand only (i.e. all open
strings, but using the *EXACT* right hand fingerings).

Then, try playing the left hand alone. This is a bit harder, because it
doesn''t really necessarily function as well without the precision of the
right hand. Barrueco''s solution is to mis-tune the guitar to some random
tuning (i.e. 6th to F, 5th to Ab, 3rd to G#, 1st to D#)...then play your
piece, concentrating on plainingg the fingering perfectly.

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